If you drum on a hollow object, like a box or a garbage can, you’ll get a deeper, fuller sound as the hollow space amplifies your taps; however, this might also drown out the clarity of the individual taps. Solid surfaces like concrete and stone, on the other hand, will barely amplify your taps at all. Experiment with new surfaces as you get better at pen tapping. Drum on wood, metal, plastic, brass, porcelain: tap surfaces with your pen and see how you like the sound. Be careful when making beats on fragile surfaces, such as glass or ceramic–you might like the sound, but be gentle so that you don’t break anything valuable.
Don’t completely encircle the pen with your fingers; leave one long edge clear to make the “cymbal” sound. When you release the pen to make a “cymbal” sound, grip it with only your thumb and index finger so that the other fingers don’t interfere with the beat.
You can make the bass sound (1) with either hand, and you can quickly alternate two bass sounds for a double-bass effect. Use the bass sound to keep the beat. It’s the deepest and most powerful of the pen tapping sounds, and it takes longer to execute than the pen taps themselves. Use it sparingly, for emphasis, and try to alternate bass sounds with the higher-pitched tapping sounds for an interesting beat.
The tip that you write with is usually heavier: it’s loaded with a spring and other supports, in click-top pens, and it’s typically where the cap of the pen fits. Use the heavier end for a more powerful snare, or the lighter end for a daintier snare. Be careful not to strike your fingers against the tapping surface while you make this sound. It should be crisp and clear. If you only have one pen, however, you can use the fingertips of your free hand to simulate sound “2”. This is the quickest sound, in the sense that you can tap a lot of these out in rapid succession. Use speedy, rhythmic taps to make your beat more complex. Try alternating quick taps between two pens. You can use these to make a drum roll.
Make sure to keep your fingers clear of the table when you release the pen. The easiest way to do this is to keep them on the top edge of the pen, opposite the table. Ideally, this sound can be almost as crisp and clear as the snare “2” sound. Think of this sound as an intermediate between the “snare” and “bass” sounds. It’s slower and more powerful than the snare “2” sound, but it’s much more high-pitched than the bass. Alternate sounds 1, 2, and 3 to add variety to your beats.
Start by trying out a simple beat pattern. Repeat: 1-2-3-2 (bass, snare, cymbal, snare) at a tempo that sounds right to your ear. Try to keep the space between each tap consistent each time you repeat the pattern. For example: 1 (medium rest) 2 (long rest) 3 (short rest) 2, repeat. When you can repeat the 1-2-3-2 pattern over and over again, with the same consistent amount of time between certain taps, you’ve got a beat. If you have trouble keeping a beat, just keep practicing. Try to internalize the beat, to get into the “flow” of it, so that you don’t need to think about it to keep it going. If you’re totally new to percussion, try an even simpler beat: 1-2, 1-2, 1-2. Make the bass sound with the heel of one hand, and follow it with a snare tap from a pen held in your other hand. Try to repeat this simple beat five times in a row with consistent spacing between each tap: 1. . 2. 1. . 2. 1. . 2. 1. . 2. 1. . 2.
You may encounter a few YouTubers, such as cartinbredan los and Shane Bang, who upload a number of videos dedicated to pen beats. Watch the videos of pen tappers that you admire, and try to pick up pointers from their style. Search the web for “pen tap beat patterns”. Pen tappers have collected their favorite beats across the Internet, usually written out in the 1-2-3 format, and you can try out the beats that you find. Some beats are easy for beginners to learn, and some require complex rhythms that may be better suited to advanced pen tappers.
Try alternating surfaces within a beat: for instance, make your bass sound deep by thumping the wide side of a hollow box, but make your snare sharp and crisp by tapping the tip of the pen against the corner of the box. Try making a high-pitched, ringing cymbal/hi-hat sound by tapping the side of a glass with your pen. Try incorporating scratching–dragging your fingers or your pen across the surface for a second or two–to add another dimension to your beats. Try using your phone to record yourself tapping out a beat, then tapping, rapping, or singing over that beat as you play it back.
